A Well Deserved Thanks

Just back from a very successful book tour (virtual- the only way to go in this kind of weather) and I'm delighted over all the new readers I've met and the great reviews that were penned throughout the past 2 weeks for my new mystery, Passage Of Crime. This was my first engagement with this type of marketing and I kick myself for not looking into this when my first two books came out. Oh well, lesson learned. 

I want to extend a special thanks to Lori over at Great Escapes Book Tours for coordinating the events. There were interviews, blog spots, and reviews, all from different perspectives within the book world over a two week period. I can say, without reservation, I highly recommend this course of promotion for all authors looking to get their books noticed. This type of marketing is a must-do, especially if you have a new release coming up. 

Shut-up and write!

With a new year upon us a renewed spirit of accomplishment should take the helm of your writing expedition. You hemmed and hawed through 2013, finding every excuse in the world for why you couldn’t finish writing that first book, and look at the result–a great story that no one will ever read.

So where did you go wrong? I’m sure you started off in the right direction, making notes about the plot, jotting down chapter outlines, etc. I’m just as sure the excitement of starting the book was like the feeling of driving to the airport the morning you are to start your holiday. That’s the way it should feel. So what happened?

There are many answers to that question, but I’m going to focus on one that I’ve encountered many times in conversations with first time writers. I’ll tell you what happened, they were so excited over the prospect of writing a book they told anyone who would listen all about it.  They went into nauseating detail about every aspect of the book, with each encounter unknowingly planting the seeds that would eventually chip away at their very desire to finish said book. As the weeks went by, and they settled into writing, they became distracted by the, “. . . have you finished the book yet?” questions from all those people they mentioned the book to. Each time having to reply, “no, not yet,” a thin shred of self-confidence peeled away in the process. Over time some even started to resent the book. And why not? If it weren’t for that damn book they wouldn’t be subjected to appearing such a failure in public. They saw every understanding smile in response as, “new books are published every day, so why aren't you done yet?” I’m sure nothing could be farther from the truth, but subconsciously it still had an affect.

So, what to do? Keep in mind writing is a solitary function. It’s you, an idea and a keyboard. I would suggest, as I did with those I’ve spoken with afflicted by the above scenario, in order to keep the distractions to a minimum refrain from telling anybody what you’re doing. There will come a time when you need to broadcast your intentions, but save yourself the grief and aggravation and wait until you have something really exciting to say.

With that in mind, you start off alone wading into the murky waters of writing a book. You won’t be alone for long. As the story develops, you are suddenly surrounded with a new group of people. These are the people you’ve created to bring your story to life. Without distraction you start getting to know and understand this new group of friends. Some are thoughtful, some humorous, some evil (I write mysteries so there is always a villain I need to keep a watchful eye on), but none ever judgmental. They appear at your beckon call, ready to take on whatever challenges that days’ writing conjures up. This group, though constantly aware of every sentence you peck away at, have an inexhaustible amount of patience. They are the best motivators you have.

Take your time and write the book. Then, when it’s finished, or at least the first draft, you can shout it from the rafters. It’s no longer just an idea you mention over dinner, or one of many New Year’s resolution that may or may not take hold over the next few months, it is a complete manuscript. It’s something to be proud of.

I’d like to say you’re done here, but in reality that was just the easy part. On the positive side, you have proven you can see something this difficult all the way through, so getting through the next steps–edits and beta readers–may not be so tough after all. While all this is going on you should be working on the marketing end of things. Start with a website promoting the future release of the book. Then onto blog entries about your struggles/accomplishments through the process. Anything to get the buzz going will work. Finally getting to notes and the outline for the second book. Second book? You’re going to need something to keep your mind off all those queries you’re sending out.

The query process is a subject all in itself. There is enough free information out there to help you craft a query letter that will help you fulfill your dream of becoming a published author. The key is to continue to believe in the book you wrote and not give up. First time authors have so many options now that one will certainly be right for you.

Image courtesy of Wiangya/FreeDigitalPhotos.net

January 2014 Book Tour

I'm excited about the Virtual Book Tour this month. A number of top, exciting bogglers and book reviewers have been kind enough to include me on their sites. There is even a signed, hardback giveaway of my new mystery, Passage Of Crime. Listed below are the dates followed by links to the sites.

January 14- Christa Reads and Writes

January 15- Psychotic State Book Reviews

January 16- Kelly P's Blog

January 17- Readalot Blog

January 18- A Blue Million Books

January 20- Thoughts in Progress

January 22- Books-n-Kisses

January 23- Musings and Ramblings

January 24- Escape With Dollycas Into A Good Book

January 25- Dru's Book Musing

I hope you take a few minutes and visit these sites. I'm sure once you do you will find them as interesting and informative as I do, and continue to follow them.

Passage Of Crime, book trailer

Heritable traits are passed from one generation to the next and then combine with acquired traits. The wrong combination of those traits can be deadly. PASSAGE OF CRIME, the next generation of murder in the Ernie Bisquets Mystery Series. 

Click here to read more about the new mystery.

Passage Of Crime

Coming soon!

Passage Of Crime






I'm excited because the release is not too far off now.

About the book:

The most unpredictable character trait can be buried deep in the dark soul of the next generation. But be advised—Evil will eventually seek its own level, and then evolve. PASSAGE OF CRIME, a new twist on murder in the Ernie Bisquets Mystery Series.

London’s East End, once known for poor boroughs and a derelict rail yard, is enjoying an optimistic resurgence. It’s becoming an affordable option for middleclass residents looking to have their pounds go further. Despite this sweeping out of old rubbish, a cautious step is still advised when passing by a few remaining dark alleys. If only Mary Walsh had listened.

Prophet Brown, a disfigured, pathetic little man, called Detective Inspector Flannel after stumbling upon the body of a young woman in one such alley. Flannel quickly realizes she is not the random victim she appears.  Add to that, the crime scene is hauntingly reminiscent of an old unsolved case; a case that almost ended an otherwise brilliant career eight years ago.

     For the moment, Prophet Brown is the only solid link between the two cases. He has been in the employ of Lord Alfred Raventhorn, a charismatic and well-connected Member of Parliament for 17 years. Raventhorn is also the very man Flannel unsuccessfully accused of the murders in the previous case. It should be noted here, in the private conversations of those of impeccable character and devoid of a tendency toward exaggeration, remarks have been made regarding the MP's rumored ill treatment of Prophet.

Flannel finds himself navigating a very treacherous course. His superiors have warned him for the last time to tread cautiously around the MP, as the rising tide of the past threatens to pull him under. Reluctantly, Inspector Flannel turns to a most unlikely ally, a reformed pickpocket named Ernie Bisquets. Together they disentangle a mesh of old lies and current clues attempting to bring a ruthless murderer to justice–ignoring the dangerous notion of murder being a carefully disguised trait passed from one generation to the next.

PASSAGE OF CRIME is a traditional English mystery, complete at 75,500 words. Sure to appeal to Nancy Atherton and Bill Crider fans, Passage Of Crime brings together the unlikely combination of a dowdy old Scotland Yard Inspector and a plucky reformed pickpocket in this whodunit set in contemporary London.


Email me if you would like to be contacted when the book is released.

Writer's Block

Writer’s Block

Anytime I get stuck on a plot line or character introduction I like to turn back to my brushes and a blank canvas. There is a great deal to be said about diverting creative energy in order to get the flow going in the right direction again.

Fortunately I started out life as an artist. It’s something I still enjoy, and has afforded me a fine living. Having that to turn to in times of writing stagnation is a comfort. It jumpstarts the creative juices and helps me work through whatever has stymied me.

About a month ago, while writing a short story about a reluctant murderer, I found myself in a quandary about just how to commit the crime. I wanted it to be different, but relatable in about 12,000 words. Getting the story started wasn't a problem. Then, about three chapters in, I found myself pacing the studio without a clue on how to bring about the demise of a very evil antagonist. The deed had to be worthy of the crimes committed, yet done in a manner acceptable to the reluctant protagonist. Hence, my dilemma.

It wasn’t long before I was sketching out a painting. I decided on a copy of a 15^th Century Flemish painting; Portrait Of A Young Woman, by Rogier van der Weyden. It has always been one of my favorites, and I had just acquired a frame worthy of such a work. Normally I would paint something original, but painting a copy of an Old Master allows me to think through the writing issue rather than concentrate on what I’m painting. It sounds odd, but it actually works for me. And if I’m going to paint a copy, it might as well be one I like.

Together, we worked through my issues with the story. I made notes for the next chapters as the Young Woman kept a watchful eye on what I was doing on the canvas. As a result, I can safely say my creative juices are flowing once more over the treacherous rapids of murder. The painting is finished and hanging in my living room—the final result you see pictured above—and I’m back at my keyboard getting ready to deliver evil his just reward.

In another post I’ll let you know how the story turned out.

A Few Words About Flash Fiction

Flash Fiction is more or less a derivative of the short story. Through the years many great authors have said so much with so few words. O. Henry’s Gift of the Magi comes to mind, as does the work of Poe and Maupassant. Aesop’s Fables are another fine example. Flash Fiction takes this one step further.

Consider Flash Fiction is to an author what the 100 Yard Dash is to a Marathoner; or, for the fitness crowd, Pilates for the brain. To sharpen the point even more, it’s the telling of a complete story in the least amount of words–usually 500 or less. The important thing here is you tell the whole story. Taking an excerpt from a longer story does not constitute flash fiction. Despite what others might think, that would still be considered an excerpt.

Hemingway is credited with penning the most celebrated with this 6 word story: “For sale: baby shoes, never worn.” Tucked into those few words are all the elements of a good story. There’s a protagonist, conflict and a resolution. The remarkable thing about this type of fiction is the brevity of the work allows the reader to extract all that is implied, leaving them to interpret and draw their own conclusion of the author’s intent.

So, next time you have the seed of an idea and a little time to kill, put your story down on paper. When finished, start distilling it down to the least amount of words. Remember, implication is your friend, and brevity your motivation.

For example:

Call me Ishmael. I find myself alone, bobbing in the blood-stained waves, hoping the masts in the distance are that of the Rachel and not the delusions of a man half crazy with thirst and the visions of the great white whale that has brought about this end. The once turbulent waves are calm, devoid of any trace of the mysterious captain and his obsession with finding and killing the whale responsible for the loss of his leg. Gone, too, is the Pequod, an ominous looking ship festooned with the bones and teeth of the very devils its captain sought with murderous intent.

If I’m to die, so be it. All that’s left of this nightmarish voyage is the unused coffin I cling to–the coffin of Queequeg, a fellow harpooner. His repulsive appearance hastened my opinion of him as a savage, though our brief time together proved me wrong. Now, even in death, his kind spirit and selflessness will most likely save me from the tragic end I’ve witnessed to this brave crew.

It's a shame Melville didn’t have a blog.