A Few Words About Rejection

So you got rejected. As a writer you should understand this is all part of the process. It’s not like this is something new. We have experience rejection since we were old enough to draw on a wall with a crayon. We saw it as art, but mom saw it as a reason to hide the crayons. It doesn’t mean it wasn’t art.

We put pen to paper (or actually fingers to keyboards) with the idea of one day standing beside those literary giants that inspired us to do more with our thoughts and imaginations than just daydream. We toil over a keyboard for what seems like an eternity. Editing, then editing again. Reading, editing, moving this, adding that, until we are certain we hold within our hands exactly what the world has been waiting for–the novel all future novels will be compared to.

With the query written, and the first chapter attached, the email shoots off into hyperspace in search of a worthy agent for such a masterful work of fiction. You start the next book, certain your offer of representation is being drafted simultaneously. Maybe just one more cup of coffee as you await the email alert indicating your invitation to success has arrived.

Then it happens. You open the email and, with little more than a polite salutation, your heart is ripped from your breast. It’s a short paragraph, and the only word that stands out is – ...unfortunately.

No need to read on. That same feeling comes over you. The painful vision of mom collecting up the crayons and carrying them off to another room flashes through your mind. You weren’t old enough to understand then, but you should now. Even though mom took the crayons away, you didn’t stop finding ways to express yourself or finding an audience for that expression. You continued on despite the rejections you faced. For those who didn’t give up, the roots of those scribblings blossomed into true artistic expression.

Remember, as with every artistic expression, it’s not suited for everybody. Patience and a belief in what you’ve produced should keep you to task. I read somewhere 90% of writers don’t become published authors because they quit after the first sense of rejection. If you look at this from a glass half-empty/half-full perspective, what really happened is 90% of your competition has been eliminated. You can certainly compete with the other 10%.

With the New Year upon us, it’s time for a new resolution. You felt strongly enough about putting those fingers to the keyboard, now keep at it until your query lands in front of the right person at the right time. Do your research, continue to develop your writing skills, and get the next idea on paper and out the door. There is an agent out there waiting for you’re your submission, don’t disappoint them.  

A very bright and Happy New Year to all the soon to be authors out there!

The Turbulent Seas of Submission

As misfortune would have it my original independent publisher, for unavoidable circumstances, has closed their doors. Thus, I find myself adrift once more, navigating the turbulent seas of submission. Fortunately, I've grown much wiser over these past four years, and have continued to refine my skills as a writer. So the idea of securing representation for my next book through a literary agent is not as daunting as it once was. To be perfectly honest, it was something I fully intended to do once I established the series and felt confident in my abilities as a writer. I look at this unfortunate event now as an opportunity to pursue that course.

The first two books in The Ernie Bisquets Mystery Series have met with wonderful reviews and acceptance, so I was not about to let this event strip the wind from my sails. With my rights returned, and so many new tools available to authors, I quickly republished both books through CreateSpace. I was apprehensive at first, but in the long run this was something I felt I needed to do. The books have an established presence in the literary world that I worked hard to create. As I move forward with the series I'll need to leverage this presence. With both of those books back on course, I turned my attention to the new book and the task of querying literary agents.

I find I'm much more thoughtful in those I query. No more scattershot into the wind. I did extensive research into the agencies to see what similar authors/books they represent and how my work might compliment their list of clients. I have a far greater understanding of how valuable an agent's time is, so if I expect to be considered I need to be considerate first. I compiled my list through QueryTracker.net– what an exceptional tool for any writer. After refining my search, and making copious notes on the agents highlighted in the results, I narrowed the list to whom I felt might find my work worth considering.

This is where it gets scary again. My list of agents is finite. There is no adding to it a few weeks later in my journey. I have one shot to capture their attention. Every word from here forward must be carefully considered and arranged in a one page query to arouse within the agent the same excitement I carry within me about the characters and story I've created. To some extent, this single page query is more difficult to write than the entire 300 page manuscript. It's also the cause of many sleepless nights.

More about the query phase in my next post.

Write what you'll know about tomorrow.

I was participating in a conversation recently about motivating young adults to write. Someone mentioned when they address young writers on this subject they suggest they only take on subjects they know, and not venture into unfamiliar waters; siting the fear of discouragement as the reason. I was quite surprised at this, especially coming from an author. My argument was that a young writer should never limit themselves to only what they know. The whole idea seemed preposterous to me. How would knowledge ever expand? How would "style" ever evolve? Look at the mystery genre. If people only wrote about things they knew, it scares me to think there are that many writers out there who know how to murder people in so many creative ways.
Young writers have their own take on the world. Because of their age, the world is still new to them and they should be encouraged to challenge the norm. Because something was held as fact yesterday does not mean it will be acceptable as fact tomorrow. A young writer should seek out subjects that intrigue them and learn as much as possible about them. One of the greatest aspects of writing, whether fiction or non-fiction, is the research and discovery process. This also applies to style and structure. They should take hold of a topic, build a passion within and then set that passion to words. Sure, they'll stumble along the way, that's inevitable, but that too is part of the process. Look at the great Impressionists. The artwork we now acclaim as genius was once panned by the critiques. Writing is painting with words and, in that respect, it's an extension of our inner self. It's how we express that which inspires us to pick up the pen. Some will cheer at the result and some will pass it by, but they will never know if the work goes unwritten.