Sunday, December 30, 2012
A Few Words About Rejection
Sunday, July 8, 2012
The Turbulent Seas of Submission
As misfortune would have it my original independent publisher, for unavoidable circumstances, has closed their doors. Thus, I find myself adrift once more, navigating the turbulent seas of submission. Fortunately, I've grown much wiser over these past four years, and have continued to refine my skills as a writer. So the idea of securing representation for my next book through a literary agent is not as daunting as it once was. To be perfectly honest, it was something I fully intended to do once I established the series and felt confident in my abilities as a writer. I look at this unfortunate event now as an opportunity to pursue that course.
The first two books in The Ernie Bisquets Mystery Series have met with wonderful reviews and acceptance, so I was not about to let this event strip the wind from my sails. With my rights returned, and so many new tools available to authors, I quickly republished both books through CreateSpace. I was apprehensive at first, but in the long run this was something I felt I needed to do. The books have an established presence in the literary world that I worked hard to create. As I move forward with the series I'll need to leverage this presence. With both of those books back on course, I turned my attention to the new book and the task of querying literary agents.
I find I'm much more thoughtful in those I query. No more scattershot into the wind. I did extensive research into the agencies to see what similar authors/books they represent and how my work might compliment their list of clients. I have a far greater understanding of how valuable an agent's time is, so if I expect to be considered I need to be considerate first. I compiled my list through QueryTracker.net– what an exceptional tool for any writer. After refining my search, and making copious notes on the agents highlighted in the results, I narrowed the list to whom I felt might find my work worth considering.
This is where it gets scary again. My list of agents is finite. There is no adding to it a few weeks later in my journey. I have one shot to capture their attention. Every word from here forward must be carefully considered and arranged in a one page query to arouse within the agent the same excitement I carry within me about the characters and story I've created. To some extent, this single page query is more difficult to write than the entire 300 page manuscript. It's also the cause of many sleepless nights.
More about the query phase in my next post.
Tuesday, August 9, 2011
A Book Review In A Forest

Tuesday, April 20, 2010
One Man's Review Is Another Man's Treasure?
It is the works of our contemporaries that paves the way for our own words. And it is our own words that define our place in the literary world.
Sunday, February 28, 2010
Barnes & Noble And The Coattails Of Technology

Friday, December 4, 2009
Have you hugged an editor lately?
It takes talent, patience and a skilled editor to make a good book great. This is a friendly reminder in an age of POD and the “you can’t get it out there fast enough” attitude. Don’t let the enthusiasm to see your name in print allow you to sidestep these three elements. Getting it out there fast might satisfy your ego, but the last time I checked, egos don’t buy books.
Here you are, two years of your life spent compiling the pages of your first novel. Think about all the research material piled in the corner, all the time you spent chasing down facts and making sure your characters and settings are believable. After all those nights of cold pizza and warm orange soda, you now hold in your hand the result of all that hard work and sacrifice. But are you really done? Are you ready to start submitting the work to publishers? Should you self-publish? No matter which avenue you venture down after you think your manuscript is complete, there is nothing more important at this point than the impartial eye of a good editor. And by good editor I mean a professional in the industry who cares more about the quality of the book than your feelings.
We all know mom and dad, and even crazy aunt Marge who reads nine books a week, will love your contribution to literature just because you wrote it. This will be painfully evident by the artwork you did in third grade, which is still adorning mom’s refrigerator door. They mean well but, no matter how much you insist on an honest critique, there will always be some hesitation on their part to give you the honest, critical opinion the manuscript needs. Lingering in their subconscious is the fear of becoming the main characters in your conversation with a therapist; that negative light they cast on the work, discouraging you in your quest to author the next great American novel. You may want to entertain the idea of bypassing their opinion at first, unless mom or dad or crazy aunt Marge is actually an editor for a New York publishing house, and you give them the manuscript claiming it belongs to a friend. It worked for me.
When I first started writing my mystery, “Along Came A Fifer”, only my wife and son knew I was writing a book. It took two years to write and, despite being in the same home, by the time it was finished they had yet to read a single word of the story. They knew the characters and parts of the plot, mostly because I roamed the halls of our Victorian like Marley’s ghost, talking through the dialog and staging the scenes. It wasn’t until it was finished that I told the extended family and friends of the project, followed with a promise to keep them posted on the publisher and release date.
Now what? I’m not good with criticism, but, as much as I hesitated about someone picking through my work, I put the manuscript in the hands of that all-important critical eye. They took the story, weeded out the confusion, tied up loose ends, made changes that enhanced the plot and the character interaction, and I could go on and on. This is not to say I agreed with everything. There were a few loggerheads, and a couple heated discussions, but compromise and respect for each other saw us through the otherwise painless process.
The bottom line is, it didn’t matter when I thought the work was ready for the public, what mattered was when the editors and publisher felt it was ready. That day finally arrived. Almost four years after I typed the first word, my book was published by a small independent publisher and introduced to the mystery lovers of the world. What a tremendous feeling. Finally, my name in print on the cover of a mystery novel. I was filled with excitement for days, almost forgetting about the next reality check- my first review.
I didn’t have long to wait. With my reading glasses in place I couldn’t procrastinate any longer. I picked up the newspaper, turned to the arts and leisure page and read the headline. It was at this point I truly appreciated the journey and the contribution of the editors. The Sentinel gave my book a glowing review, which I read at least six times just to make sure it was my book they were talking about, followed finally with a sigh of relief. I don’t know how the book would have been received if I had just charged forward, rushing the book to market myself, but I’m sure the success the book enjoys now is due to a firm grip of all three elements.
About a month later, and with a few books under my arm, it was off to the family picnic. Mom and dad loved it, and couldn’t wait to put a copy of the review on the fridge on top of my artwork- the fact that I’m 50 now doesn’t seem to matter to them - and Aunt Marge had no idea I knew so much about London. I just sat back and smiled, this was certainly worth the wait.
I don’t know if Hallmark is looking to add another holiday to their card line, or even how politically correct it would be, but “Hug An Editor Day” is the one that would get my vote.